
Selva González Vildoso is a transdisciplinary artist, producer, curator, cultural manager and communitary activist from Iquique, Chile, currently based between France and Spain. Her work explores creative audiovisual storytelling, performance, science and community organization. Co-founder of Nanai Studio, award-winning XR company dedicated to creating immersive interactive experiences, and founder of Maltrato Films, production company focused on young political voices in Chile. Producer of FIVIA, Festival of Video and Artificial Intelligence in Marseille, France, and member of MAIX, Movement of Artists and Researchers in XR from Latinoamerica, orientated to funding the Latin American XR scene, while generating industry contexts at the intersection of art, science, and technology.

Nau Ivanow is a space of welcome, accompaniment, research and innovation; a haven where companies will find the warmth needed to work unhurriedly and in good conditions. Residencies are the main focus of what we do. Our aim is to provide decent working conditions, always accompanying the artists and providing them with the resources they need. Nau Ivanow’s projects are underpinned by three major working axes: creation, accompaniment and work with the territory. And all of them with one common denominator: internationalization, which permeates each and every one of our projects.

HELLERAU acts as an interdisciplinary and international centre for dance, performance, music, theatre and media arts. It offers spaces for productions, festivals, concerts performances, exhibitions and discourse, cooperates with various regional cultural partners and is firmly connected internationally. An important part of HELLERAU is a residency program, which offers opportunities for artistic research, networks, production and encounters throughout the whole year.

The purpose of UP is to develop and upskill the independent performing arts throughout Denmark. We define the free and independent performing arts as individuals, collectives and companies who work professionally with performance and primarily for and with independent performance groups, project supported companies, and lesser established theatres. Often without permanent access to a stage or a venue.
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Funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor EACEA can be held responsible for them.