DRIVER (DK)

DRIVER is a choreographic project developed by Lara Vejrup Ostan (SLO/DK) in collaboration with Yeong Ran Suh (KOR).

DRIVER materializes and discusses speed as a sensuous, individual, but also common and socio-political experience. It questions who has the agency and ability to influence speed and who has to abide by the speed of others, or alternatively, fall behind. In DRIVER we delve into a universe of truck drivers; escapist wanderlust, tenacious asphalt-romance and idealized loneliness. We speculate about truck drivers – as solitary heroes, perhaps shaped by external forces, as well as a place for us to imagine a different world. The project will (amongst other things) become a choreographic performance, created with and by dancers Johanna Eva Forsehag (SE), Ruth Rebekka Hansen (DK), sound designer Moritz Nahold (AT), light designer Thora Eriksen, scenographer Max Schwidlinski (DE), dramaturg / truck driver Bush Hartshorn (SCT) and co-produced by Dansehallerne (DK).

Parcitipating artists

Taken residency at

Who is Driver?  

Lara: Driver is a choreographic research project dealing with the work of truck drivers.  

 I had been thinking about Driver since summer 2022, and probably even before that. I wanted to engage with and look into the work reality of drivers, also in comparison to working as a dancer/choreographer. The perceived physical passivity in the work of drivers – sitting down for long periods of time, whilst also being in motion. Through a lot of reading, I got curious about truck drivers and the myths and fictions surrounding their work. Romantic imagery stemming from the USA, stories of adventure and freedom, but also, or perhaps even more so, bleak realities of long days, underpayment and loneliness.  

 While being on social media I stumbled upon Ran, who had been working with a mutual friend and colleague – I looked at her website and saw she had worked as an artist-researcher within anthropological research. I asked her if she would want to meet up and speak about Driver, and it turned out we had a lot to talk about! Driver is other artists as well – in Copenhagen we were joined by dancer and choreographer Johanna Forsehag (SE), light designer Thora Eriksen (DK) and scenographer Max Schwidlinski (DE). Moritz Nahold (AS) is the sound designer and composer of the project and Bush Hartshorn (SCT) is our truck-driver consultant and mentor.  

Photo Credit: Hjorth_ + Burojantzen

What is your aim with Moving Identities?  

Ran: Through Moving Identities, we have wider opportunities to meet truck drivers from different regions in Europe. Truck driving can be a very international form of work, as well as local. It might look the same but elaborate bureaucratic structures shape and form the way this form of work is practised. Moving Identities gives us a chance to look into the local/global geography of this transport industry, comparing drivers’ practices parallel.  

 

Photo Credit: Hjorth_ + Burojantzen

Which method(s) will you use to achieve this aim?  

Ran: For now, we are developing methods of inquiry and figuring out how the knowledge gained from interviews as well as other sources informs performative material. We are conducting casual meetings and interviews with truck drivers inspired by an ethnographic approach, which will lead to corporeal and somatic interpretation or embodiment of the research. 

 

Photo Credit: Hjorth_ + Burojantzen

How does your current project relate to your previous/other works? Is it similar or different?  

Ran: I created several auto-ethnography-based performances or documentary performances in the past. From this experience, I feel familiar with this project regarding artists’ ethnography. Simultaneously, group fieldwork as a team and translating this fieldwork experience to abstract, metaphoric, somatic, or audiovisual stage work is always unexpectable, new, and exciting. 

Lara: For me the way we are shaping our research through fieldwork – interviews etc is new. Thinking about movement and motion, how it is being practised and perceived in the world in subtle, everyday manners is something I have been curious about and implemented in other works for a long time e.g. in THE SWIMMER (2022) and HIKE (2022). 

 

Photo Credit: Hjorth_ + Burojantzen

What are you most excited about in this programme ahead of you? 

Ran: I am so excited to work in the studios of two different cities. Different energies, people, and cultural aspects will definitely affect our process. 

Lara: Agreed! The format of a local and two international residencies as a “bundle” gives a sense of longevity and continuity to our work as well.  

 

Photo Credit: Hjorth_ + Burojantzen

Interview with Driver at Nua Ivanow.

With the project manager Aina Juanet and host artists Mauricio Sierra and Iver Zapata Las Cosas.

Watch interview here

Video credit: Laia Ruiz

<p><span data-contrast="auto"><strong>Who is Driver?</strong> </span><span data-ccp-props="{&quot;201341983&quot;:0,&quot;335559740&quot;:276}"> </span></p>
<p><strong><i>Lara:</i></strong><span data-contrast="auto"> Driver is a choreographic research project dealing with the work of truck drivers. </span><span data-ccp-props="{&quot;201341983&quot;:0,&quot;335559740&quot;:276}"> </span></p>
<p><span data-ccp-props="{&quot;201341983&quot;:0,&quot;335559740&quot;:276}"> </span><span data-contrast="auto">I had been thinking about Driver since summer 2022, and probably even before that. I wanted to engage with and look into the work reality of drivers, also in comparison to working as a dancer/choreographer. The perceived physical passivity in the work of drivers &#8211; sitting down for long periods of time, whilst also being in motion. Through a lot of reading, I got curious about truck drivers and the myths and fictions surrounding their work. Romantic imagery stemming from the USA, stories of adventure and freedom, but also, or perhaps even more so, bleak realities of long days, underpayment and loneliness. </span><span data-ccp-props="{&quot;201341983&quot;:0,&quot;335559740&quot;:276}"> </span></p>
<p><span data-ccp-props="{&quot;201341983&quot;:0,&quot;335559740&quot;:276}"> </span><span data-contrast="auto">While being on social media I stumbled upon Ran, who had been working with a mutual friend and colleague &#8211; I looked at her website and saw she had worked as an artist-researcher within anthropological research. I asked her if she would want to meet up and speak about Driver, and it turned out we had a lot to talk about! Driver is other artists as well &#8211; in Copenhagen we were joined by dancer and choreographer Johanna Forsehag (SE), light designer Thora Eriksen (DK) and scenographer Max Schwidlinski (DE). Moritz Nahold (AS) is the sound designer and composer of the project and Bush Hartshorn (SCT) is our truck-driver consultant and mentor. </span><span data-ccp-props="{&quot;201341983&quot;:0,&quot;335559740&quot;:276}"> </span></p>
<p>Photo Credit: <span>Hjorth_ + Burojantzen</span></p>
<p><strong>What is your aim with Moving Identities?  </strong></p>
<p><strong><i>Ran:</i></strong><span data-contrast="auto"> Through Moving Identities, we have wider opportunities to meet truck drivers from different regions in Europe. Truck driving can be a very international form of work, as well as local. It might look the same but elaborate bureaucratic structures shape and form the way this form of work is practised. Moving Identities gives us a chance to look into the local/global geography of this transport industry, comparing drivers’ practices parallel. </span><span data-ccp-props="{&quot;201341983&quot;:0,&quot;335559740&quot;:276}"> </span></p>
<p>&nbsp;</p>
<p>Photo Credit: <span>Hjorth_ + Burojantzen</span></p>
<p><span data-contrast="auto"><strong>Which method(s) will you use to achieve this aim?</strong> </span><span data-ccp-props="{&quot;201341983&quot;:0,&quot;335559740&quot;:276}"> </span></p>
<p><strong><i>Ran:</i></strong><span data-contrast="auto"> For now, we are developing methods of inquiry and figuring out how the knowledge gained from interviews as well as other sources informs performative material. We are conducting casual meetings and interviews with truck drivers inspired by an ethnographic approach, which will lead to corporeal and somatic interpretation or embodiment of the research.</span><span data-ccp-props="{&quot;201341983&quot;:0,&quot;335559740&quot;:276}"> </span></p>
<p>&nbsp;</p>
<p>Photo Credit: <span>Hjorth_ + Burojantzen</span></p>
<p><strong>How does your current project relate to your previous/other works? Is it similar or different? </strong><span data-ccp-props="{&quot;201341983&quot;:0,&quot;335559740&quot;:276}"> </span></p>
<p><strong><i>Ran:</i></strong><span data-contrast="auto"> I created several auto-ethnography-based performances or documentary performances in the past. From this experience, I feel familiar with this project regarding artists’ ethnography. Simultaneously, group fieldwork as a team and translating this fieldwork experience to abstract, metaphoric, somatic, or audiovisual stage work is always unexpectable, new, and exciting.</span><span data-ccp-props="{&quot;201341983&quot;:0,&quot;335559740&quot;:276}"> </span></p>
<p><strong><i>Lara:</i></strong><span data-contrast="auto"> For me the way we are shaping our research through fieldwork &#8211; interviews etc is new. Thinking about movement and motion, how it is being practised and perceived in the world in subtle, everyday manners is something I have been curious about and implemented in other works for a long time e.g. in THE SWIMMER (2022) and HIKE (2022).</span><span data-ccp-props="{&quot;201341983&quot;:0,&quot;335559740&quot;:276}"> </span></p>
<p>&nbsp;</p>
<p>Photo Credit: <span>Hjorth_ + Burojantzen</span></p>
<p><strong>What are you most excited about in this programme ahead of you? </strong></p>
<p><strong><i>Ran:</i></strong><span data-contrast="auto"> I am so excited to work in the studios of two different cities. Different energies, people, and cultural aspects will definitely affect our process.</span><span data-ccp-props="{&quot;201341983&quot;:0,&quot;335559740&quot;:276}"> </span></p>
<p><strong><i>Lara:</i></strong><span data-contrast="auto"> Agreed! The format of a local and two international residencies as a “bundle” gives a sense of longevity and continuity to our work as well. </span><span data-ccp-props="{&quot;201341983&quot;:0,&quot;335559740&quot;:276}"> </span></p>
<p>&nbsp;</p>
<p>Photo Credit: <span>Hjorth_ + Burojantzen</span></p>
<p>Interview with Driver at Nua Ivanow.</p>
<p>With the project manager Aina Juanet and host artists Mauricio Sierra and Iver Zapata Las Cosas.</p>
<p>Watch interview <a href="https://youtu.be/PqfEf-W9M-o" target="_blank" rel="noopener">here</a></p>
<p>Video credit: <span>Laia Ruiz</span></p>

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Funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor EACEA can be held responsible for them.