Ingvild Marstein Olsen (NO)
Ingvild Marstein Olsen is a Norwegian dance artist based in Oslo, she works in Norway and also across the European dance scene. Ingvild is interested in collaborative work across the cultural fields and takes on the role as a performer and choreographer. Ingvild also created the multidisciplinary work River Being (2022), which currently tours the European dance scene. She has worked with Panta Rei Danseteater (2019), in the multiple roles of performer, choreographer, and coordinator. Ingvild has performed in works, both outdoors, in galleries and on stage for choreographers such as; Katrine Kirsebom, Rahel Vonmoos, Alison Curtis-Jones, and Deborah Lennie. Ingvild graduated from Laban with a MA in Dance Performance (Transitions Dance Company) and BA in Contemporary Dance.
IG @ingvildmarstein
Taken residency at
Davvi – Centre for Performing Arts
Davvi – Centre for Performing Arts is a hub and a gathering point in Northern Norway for the professional independent Performing Arts community. The organization is a laboratory for new ideas, artistic research, and an open space where different cultures are cared for. We challenge hegemonic thinking and support cross-sectorial artistic working and thinking. We are staff of 11 curios people, we are placed in Hammerfest, Tromsø and Bodø and we are a space that offers residency, laboratories and producer services.
HELLERAU – European Centre for the Arts, Dresden
HELLERAU is one of the most important international centres of contemporary arts in Germany and Europe. The interdisciplinary co-production and guest performance house offers genres such as dance, music, theatre, performance, media art and visual arts spaces for production and presentation.
UP
The purpose of UP is to develop and upskill the independent performing arts throughout Denmark. We define the free and independent performing arts as individuals, collectives and companies who work professionally with performance and primarily for and with independent performance groups, project supported companies, and lesser established theatres. Often without permanent access to a stage or a venue.
