Caroline Beach (GER)
Caroline Beach (Dallas, Texas, 1990) is a choreographer and performance artist based in Dresden and Berlin. She holds an MA in Choreography from the Palucca Hochschule and is finishing a Masters at the AdBK Nürnberg under prof. JP Raether. She has made works for a multitude of spaces across a range of mediums including theaters, galleries, offspaces, a lake, the Internet, and a media storage closet. She explores much of her work through the lens of Sailor, a slippery and permeable avatar that sails around the materiality of desire beyond the neoliberal chokehold. She plays in the band Cocktail Napkin with Casey Ouzounis.
Taken residency at
HELLERAU – European Center for the Arts
HELLERAU acts as an interdisciplinary and international centre for dance, performance, music, theatre and media arts. It offers spaces for productions, festivals, concerts performances, exhibitions and discourse, cooperates with various regional cultural partners and is firmly connected internationally. An important part of HELLERAU is a residency program, which offers opportunities for artistic research, networks, production and encounters throughout the whole year.
Davvi – Centre for Performing Arts
Davvi – Centre for Performing Arts is a hub and a gathering point in Northern Norway for the professional independent Performing Arts community. The organization is a laboratory for new ideas, artistic research, and an open space where different cultures are cared for. We challenge hegemonic thinking and support cross-sectorial artistic working and thinking. We are staff of 11 curios people, we are placed in Hammerfest, Tromsø and Bodø and we are a space that offers residency, laboratories and producer services.
UP
The purpose of UP is to develop and upskill the independent performing arts throughout Denmark. We define the free and independent performing arts as individuals, collectives and companies who work professionally with performance and primarily for and with independent performance groups, project supported companies, and lesser established theatres. Often without permanent access to a stage or a venue.
